Daily Prompt

Revisiting Robert’s Rules for Reading & Writing: (Guest Blog) by Robert Ward

Dear BWW, happy thanksgiving! As we celebrate the holidays with our families and friends, I wanted to take a moment and thank all of you for your commitment and dedication to the art of writing. I also wanted to repost this thoughtful essay from our very own Robert Ward. I re-read this piece (originally published in the

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The Thanksgiving Story as Structure: Ways to View Our Writing: By Elizabeth Stark

I was recently listening to Sherman Alexie read and discuss a Jessamyn West story on the New Yorker fiction podcast. When Deborah Treisman, the fiction editor of The New Yorker, asked Alexie if the story had a subtext or was really as simple as it seemed, he said that it definitely had a subtext; in

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“What Could Possibly Go Wrong?” A (guest blog) on building conflict and tension by Robert Ward

“What could possibly go wrong?” This question has assumed an iconic (and ironic) place on this tour, and it’s used as a joke whenever someone suggests an activity or destination. We’ll always make fun of a situation – “How about we go to this sushi place and try the blowfish?” “What could possibly go wrong?”

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Is It Enough? Creating Realistic Situations That Challenge Your Characters: by Angie Powers

There’s something funny about the way I write. I always start with a situation that, really, with a little patience and common sense, anyone could navigate their way out of it. For example, let’s say I have a character named Rebecca, who is on her way to a very important meeting, the one that will

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Five Things the Obama Campaign Can Teach Us About Writing: (Guest Blog) by Julie Rappaport

Over the course of this year’s election cycle you were probably inundated with emails urging you to contribute hard cold cash to one of the campaigns for President of the U.S. of A. Many pundits credited President Obama and his team for a fantastic “ground game.”  That’s when the all the hard work and intensive

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NaNoTIP: Making It Happen: by Elizabeth Stark

NaNoTIP: Don’t write excessively long, winding, meandering sentences or phrases or paragraphs full to bursting, redolant with, literally stuffed with redundant, repetitive, overly-used adjectives, adverbs, coordinate or otherwise. Remember, you want your messy, shitty first draft to be useful to you later. Need to ramp up your word count? Don’t run in circles around your

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12 Steps to Good Sex…Scenes: (Guest Blog) by Bree LeMaire

My problem was that I wanted to put a sex scene in my murder mystery but didn’t know where to start. Clarissa (my protagonist) had to mention the murder on some level while being intimate with Hord, the investigating detective.  So, there were two challenging goals: crime and sex. That is when I tapped into

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