Elizabeth

Elizabeth Stark is the author of the novel Shy Girl (FSG, Seal Press) and co-director and co-writer of several short films, including FtF: Female to Femme and Little Mutinies (both distributed by Frameline). She earned an M.F.A. from Columbia University in Creative Writing. Currently the lead mentor and teacher at the Book Writing World, she’s taught writing and literature at UCSC, Pratt Institute, the Peralta Colleges, Hobart & William Smith Colleges and St. Mary’s College. She’s just finished a novel about Kafka.

3 Gift-Giving Habits to Apply to Your Writing: by Elizabeth Stark

1)   Try to keep things a secret. This is not something we are great at in our family, though we are getting better. We always want to let someone know as soon as we’ve gotten—or even thought of—the perfect present. Leo and Charlie are making secrets gifts in class for us, and Leo keeps asking

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5 Writing Secrets of the Clownfish and Sea Anemone: by Elizabeth Stark

Happy December! Today I want to talk with you about clownfish. Clownfish? Yes, like Nemo, with orange and white stripes. According to one of my kids’ books, clownfish live in sea anemones (which I still want to spell as if I were five, with consonants reversed). Each fish goes through a process of exposing itself

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The Thanksgiving Story as Structure: Ways to View Our Writing: By Elizabeth Stark

I was recently listening to Sherman Alexie read and discuss a Jessamyn West story on the New Yorker fiction podcast. When Deborah Treisman, the fiction editor of The New Yorker, asked Alexie if the story had a subtext or was really as simple as it seemed, he said that it definitely had a subtext; in

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NaNoTIP: Making It Happen: by Elizabeth Stark

NaNoTIP: Don’t write excessively long, winding, meandering sentences or phrases or paragraphs full to bursting, redolant with, literally stuffed with redundant, repetitive, overly-used adjectives, adverbs, coordinate or otherwise. Remember, you want your messy, shitty first draft to be useful to you later. Need to ramp up your word count? Don’t run in circles around your

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Five Steps to a Brilliant Writing Practice: by Elizabeth Stark

1) Start loose, just getting words on the page. How is it so easy to forget the magic of that act? How lively are our minds, our imaginations! We cannot shut them up. Stop and listen for a bit. (Try this with children, too–it works miracles against temper tantrums, transforms routine irritation into marvelous conversation.)

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Celebrated Chunks: Looking at a Writer’s Schedule: by Elizabeth Stark

There are certain things that satisfy in and of themselves. If you exercise on a given day, you’ve done what you were supposed to do and can check it off your list. If you read for pleasure, you’ve had the pleasure. So, too, other intimate pleasures. They are in and of themselves or part of

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